Anatomy-led Fine Line Flow
Clean, deliberate strokes that follow the body's natural contours. Each design is a compositional study. Line weight, spacing, and negative space working together so the piece reads as one cohesive flow rather than separate marks sitting next to each other.
Before a needle ever touches skin, every design goes through a compositional study. I pay close attention to how a design moves with the body. Following the curve of a collarbone, wrapping an arm, or running with the natural line of a spine, so the tattoo feels like it belongs to the anatomy it sits on rather than sitting on top of it.
My work leans toward abstract linework: geometric relationships, overlapping planes, and continuous lines built on precise proportion rather than realism. Getting abstract design right is a matter of precision. Consistent line spacing and controlled saturation are what keep a piece legible and sharp years after healing, not just on the day it's finished.
It's the same discipline I learned at the drafting table, now pointed at a person instead of a page.